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Here are all the paintings of Wilhelm Leibl 01
| ID |
Painting |
Oil Pantings, Sorted from A to Z |
Painting Description |
| 90772 |
 |
Das ungleiche Paar |
1876-1877
Medium oil on canvas
Dimensions Deutsch: 75,5 x 61,5 cm
cjr |
| 90671 |
 |
Die alte Pariserin |
1869-1870
Medium oil on panel
Dimensions 81,5 x 64,5 cm
cjr |
| 87353 |
 |
Die Dorfpolitiker |
Date 1877(1877)
Medium Oil on canvas mounted on wood
Dimensions 76 x 97 cm
cjr |
| 92163 |
 |
Die Dorfpolitiker |
1877(1877)
Medium oil on canvas mounted on wood
Dimensions 76 X 97 cm
cyf |
| 88631 |
 |
Die junge Pariserin |
1869(1869)
Medium Oil on wood
Dimensions Deutsch: 64,5 x 52,5 cm
cjr |
| 56294 |
 |
head of a peasant girl |
mk247
c.1880,oil on wood,12x11 in,30x27.5 cm,osterreichische galerie belvedere,vienna,austria |
| 88918 |
 |
Konzertstudie |
c. 1870
Medium Oil on wood
Dimensions Deutsch: 44 x 40 cm
cjr |
| 94059 |
 |
Leibl und Sperl auf der Huhnerjagd |
Date 1890-1895
Medium oil on canvas
Dimensions Deutsch: 40 x 58 cm
TTD |
| 88151 |
 |
Madchen am Herd |
1895(1895)
Medium Oil on wood
Dimensions 41 x 32 cm
cjr |
| 38653 |
 |
Portrait of Burgermeister Klein |
mk138
1874
Oil on canvas
87x67cn
|
| 94058 |
 |
Portrait of Carl Schuch |
Date 1876(1876)
Medium oil on canvas
Dimensions 58.6 x 50.5 cm (23.1 x 19.9 in)
TTD |
| 90415 |
 |
Portrat des Johann Heinrich Pallenberg |
1871(1871)
Medium oil on canvas
Dimensions Deutsch: 118 x 95,5 cm
cyf |
| 91786 |
 |
Portrat eines Mannes |
c. 1890
Medium oil on canvas
Dimensions Deutsch: 16 X 16 cm
cjr |
| 93248 |
 |
Schlafender Savoyardenknabe |
1869(1869)
Medium oil on canvas
Dimensions 44 x 64 cm
cjr |
| 38655 |
 |
The Poachers |
mk138
c.1882/86
Oil on canvas
Stretched over wood
55x42cm
|
| 23209 |
 |
The Veterinarian Dr Reindl in the Arbor (nn02) |
c 1890
oil on wood,10 1/8 x 7 3/4'' Stadtische Galerie im Lenbachhaus,Munich |
| 40781 |
 |
The Women in Church |
mk156
1882
Oil on panel
113x77cm
|
| 34021 |
 |
Three Women in Church |
mk87
1881
Oil on panel
113x77cm
Hamburg,Hamburger Kunsthalle
|
| 38654 |
 |
Woman from Dachau with Child |
mk138
1873/74
Oil on wood
86x68cm
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| Wilhelm Leibl
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| German Realist Painter, 1844-1900
German painter, draughtsman and etcher. In 1861 he abandoned his apprenticeship as a locksmith in order to train as a precision instrument maker, though a month or so later he decided to train as an artist, at first under the Cologne history painter and writer Hermann Becker (1817-85). In 1863 he moved to Munich; he studied there from March 1864, at the Akademie der Bildenden K?nste, initially under Philipp von Foltz and Alexander Straehuber, drawing from plaster casts, and later in Hermann Ansch?tz's painting class. Here, Arthur von Ramberg (1819-75) stimulated Leibl's sensitivity to colour; and Karl Theodor von Piloty encouraged him to observe reality and incorporate its lessons boldly into compositions on historical themes. From the start, however, Leibl tended to think of his pictures in terms of form rather than content. While at the Akademie he first reached a standard of excellence with his draughtmanship, which is notable for its directness and objectivity. As an artist, Leibl's early works were not especially promising. However, as occurred throughout his career, a long period of mediocrity was crowned by an unexpected masterpiece, such as his portrait drawing of Aunt Josepha (c. 1864; Cologne, Wallraf-Richartz-Mus.). This is particularly striking for Leibl's use of the hands to add to the expression of the sitter's character and mood, a device he was to use frequently in later work. In Munich, Leibl supplemented the teaching of the Akademie by studying the works of the Old Masters in the Alte Pinakothek: he paid particular attention to painters of the Baroque period such as van Dyck, Cornelis de Vos and Rubens, and also to other great masters of portraiture such as Frans Hals and Vel?zquez. The presentation of the subject found in such works is reflected in Leibl's portrait of Frau Gedon (1869; Munich, Neue Pin.). When the work was shown at the Grossen Internationale Kunstausstellung in Munich in 1869 it was singled out as the best oil painting of the exhibition by Gustave Courbet and, as a result, Leibl was honoured with an invitation to Paris, where he arrived on 13 November 1869.
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